Analisis Teologi Estetika Tarian Pa’gellu Tua dan Relevansinya bagi Gereja Toraja Jemaat Pangala’ Klasis Pangala’

Limbong, Tita Sanda (2026) Analisis Teologi Estetika Tarian Pa’gellu Tua dan Relevansinya bagi Gereja Toraja Jemaat Pangala’ Klasis Pangala’. Scholar thesis, Institut Agama Kristen Negeri Toraja.

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Abstract

Penelitian ini bertujuan untuk mendeskripsikan analisis teologi estetika tarian Pa’gellu tua dan relevansinya bagi gereja toraja jemaat Pangala’ Klasis Pangala’. Penelitian ini menggunakan metode kualitatif dengan pendekatan (field research). Hasil penelitian menunjukkan terdapat tiga makna utama dalam Tarian Pa’gellu’ Tua, yaitu: (1) gerakan tarian sebagai ungkapan syukur kepada Tuhan, (2) ekoteologi yang tampak dalam gerakan sebagai representasi relasi harmonis antara manusia dan alam, (3) nilai martabat tubuh dan kesetaraan yang diwujudkan melalui penggunaan aksesoris tarian. Temuan ini menunjukkan bahwa Tarian Pa’gellu’ tua memiliki relevansi dengan konsep teologi estetika Hans Urs von Balthasar yang mencakup keindahan, kebenaran, dan kebaikan. Keindahan tercermin dalam harmoni gerakan yang sarat makna serta menggambarkan kesatuan ciptaan; kebaikan tampak dalam nilai penghargaan sosial dan solidaritas; dan kebenaran terwujud dalam kebersamaan serta kesetaraan yang direpresentasikan melalui keindahan aksesoris tarian. KATA KUNCI : Pa’gellu Tua, Teologi Estetika, Teologi Kontekstual, Antropologi. ABSTRACK This study aims to describe the aesthetic-theological analysis of the Pa’gellu tua dance and its relevance to the Toraja Church congregation in Pangala’, Pangala’ Classis. This study employs a qualitative method using a field research approach. The results of the study indicate that there are three main meanings in the traditional Pa’gellu tua dance, namely: (1) the dance movements as an expression of gratitude to God, (2) eco-theology evident in the movements as a representation of the harmonious rela-tionship between humans and nature, and (3) the values of bodily dignity and equali-ty embodied through the use of dance accessories. These findings indicate that the an-cient Pa’gellu tua dance is relevant to Hans Urs von Balthasar’s concept of aesthetic theology, which encompasses beauty, truth, and goodness. Beauty is reflected in the harmony of movements that are rich in meaning and depict the unity of creation; goodness is evident in the values of social appreciation and solidarity; and truth is manifested in togetherness and equality, which are represented through the beauty of the dance accessories. KEYWORDS: Traditional Pa’gellu, Aesthetic Theology, Contextual Theology, An-thropology.

Item Type: Thesis (Scholar)
Subjects: B Philosophy. Psychology. Religion > BV Practical Theology
Depositing User: am andarias m.
Date Deposited: 01 Aug 2026 08:11
Last Modified: 03 Aug 2026 15:49
URI: http://digilib-iakntoraja.ac.id/id/eprint/5642

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