Sampe, Risna Rante (2025) Aransemen Paduan Suara Lagu “Tak Ku Tahu Kan Hari Esok” Karya Ira Forest Stanphill. Scholar thesis, Institut Agama Kristen Negeri Toraja.
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Abstract
Penelitian ini bertujuan untuk mendeskripsikan proses aransemen dan menganalisis struktur bentuk karya aransemen lagu rohani “Tak Ku Tahu Kan Hari Esok” karya Ira F. Stanphill dalam format paduan suara empat suara. Lagu ini dikenal luas di kalangan gereja Protestan karena mengandung pesan iman dan pengharapan yang kuat, namun dalam versi buku Pelengkap Kidung Jemaat (PKJ) dinilai kurang ekspresif dan monoton secara musikal. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif analitik dan pendekatan reflektif berbasis praktik. Proses aransemen dilakukan melalui lima tahap: perumusan konsep, pembuatan aransemen awal, pengembangan ide, penyusunan lanjutan, dan revisi akhir. Hasil aransemen menampilkan kekayaan musikal melalui penerapan teknik reharmonisasi (substitusi sederhana dan progresi ii–V), variasi melodi (filler, kontra-melodi, pad, drone), penggunaan tekstur musikal (monofoni, homofoni, homoritmik), serta pengembangan motif (repetisi dan sekuensi). Bentuk karya aransemen memiliki struktur AB–A’B dengan tambahan bagian intro, interlude, dan ending. Penelitian ini tidak hanya menghasilkan karya musik yang dapat digunakan dalam pelayanan gerejawi, tetapi juga memberikan kontribusi akademik dalam pengembangan teori aransemen musik vokal. Kata kunci: aransemen, paduan suara, musik gerejawi, teknik reharmonisasi, variasi melodi, tekstur musikal. ABSTRACT This research aims to describe the arrangement process and analyze the structural form of the arrangement of the sacred song “I Don’t Know About Tomorrow” by Ira F. Stanphill in a four-part choir format. This song is widely known among Protestant churches for its strong message of faith and hope; however, in the version of the Supplement to the Church Hymnal (PKJ), it is considered less expressive and musically monotonous. This study employs a qualitative approach with descriptive-analytical methods and a practice-based reflective approach. The arrangement process is carried out through five stages: concept formulation, initial arrangement creation, idea development, further composition, and final revision. The arrangement results showcase musical richness through the application of reharmonization techniques (simple substitutions and ii–V progressions), melodic variations (fillers, counter-melodies, pads, drones), the use of musical textures (monophony, homophony, homorhythm), and motif development (repetition and sequence). The structure of the arrangement work has an AB–A’B form with additional sections for intro, interlude, and ending. This research not only produces a musical work that can be used in church services but also contributes academically to the development of vocal music arrangement theory. Keywords: arrangement, choir, church music, reharmonization techniques, melodic variation, musical texture.
| Item Type: | Thesis (Scholar) |
|---|---|
| Subjects: | M Music and Books on Music > MT Musical instruction and study |
| Depositing User: | am andarias manting |
| Date Deposited: | 22 Jul 2025 09:39 |
| Last Modified: | 22 Jul 2025 09:39 |
| URI: | http://digilib-iakntoraja.ac.id/id/eprint/4642 |
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